Chloë Moore

New Eroticism

I am at my best when under something else.

A lover or a piece of furniture. 

So there’s something between me and the sky. 

And god is it dry here.

Valley refraction, also wind.

No one comes to fill the empty space. 

Inconvenient, given the hole I dug.

Remembering the possibility of escape. 

Everything in its proper place.

The coasters, the commas.

I have been called good for bad reasons.

Have relished the ecstasy of effort.

On Thursdays I clean the kitchen on my knees.

Poem Where I Learn to Take Things as They Are

I always see foxes exactly when I need to

which is a matter of lovely coincidence

though not indicative of anything in particular

about either me or the foxes,

which are just foxing around as they normally do,

and are immune to my projections,

inoculated against simile as are

the auroras which emerge after though not

because of another round of my sobbing and which illuminate

pinkly and greenly the tender sky over my small

rudimentary porch and which again

mean nothing and care for me not at all,

this being a lucky thing I think, easier to know 

the stars as stars and not as maps of gods, 

better just to watch the foxes,

the auroras, to notice the simple facts

of their existence, the unsymbolic penchant of my knees 

and elbows for bending, forward, into the sweet weight

of the splendid, mindless night

Semiotics

It could’ve been the patchouli residue of a kiss

left on my clavicle or the maple tree pinking the sidewalk corner 

in the thorny autumn night. Desperation makes anything

a sign. The stars were fragile in their spiderwebs. I was breathing

in time to the red blink of the radio tower while the wind

made agile oscillations between clouds.

The night stung like blowing on an open wound.

I was a nervous creature in my light jacket

in a heavy mist, spiky trickle of sweat. It could’ve been

smoke or fog that was creeping up the valley.

Either way the opacity was total, false eclipse. 

The lightning haunting the hills was incidental

to the drama. No meaning to be made 

of the goose egg moon. The future has come,

then gone. I am what I know how to be.

Chloë Moore is a writer from Central New York. Her work has appeared or is forthcoming in Chanter Magazine, The Water~Stone Review, and HNDL Magazine. She currently lives in Missoula, MT, where she is pursuing an MFA in poetry and befriending the neighborhood deer.

Artwork: “title” by Daniel Lurie

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