Emily Harman
An End
After James Galvin
is always a kind of beginning.
More beak than bird, my father said, like
he always did, when we spotted the kingfisher perched on a branch
above the water, blue-gray and motionless.
Its eye, like a black bead
catching the light, stared unblinking into the dark dropoff just beyond
the dappled rim of the shallows.
It was true.
From below, it was
hard to see exactly where the bird’s bill ended and its steely feathers
began.
We sat together for what seemed like a long time and also
no time at all,
the way every last time seems.
The kingfisher, like
the glossy lip of the lake, was still until at once it wasn’t, the minnow
glittering and alive just below the sun-warmed surface until at once
it wasn’t.
The way it goes.
A beginning always a kind of end.
The blade of the mouth indistinguishable, even to the fish, from
the sharp weapon of the body.
Emily Harman is a queer poet from the upper midwest, currently living in Missoula, Montana. The recipient of the 2026 Merriam-Frontier manuscript award, Emily’s work appears or is forthcoming in Shō Poetry Journal, Fugue, Bellingham Review, The Shore, Poetry Northwest, and elsewhere. Emily holds an MFA in poetry from the University of Montana, where she taught creative writing and served as Poetry Editor for CutBank. She can usually be found in the mountains or near a large body of water.
Artwork: “Glimmer” by Daniel Lurie
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