Luis Cuauhtémoc Berriozábal
Dead Man's Lament
In the throat of the rooster
a dead man’s lament,
his fleeting soul
deported to God’s country.
I heard the dead man
was often hungry.
He would lie down tired
in an empty bed
with his heart in pain.
He would walk the desert alone
without a revolver or water.
He would sit down and rest
where a black crow sang
of murders back in town.
A choir of crows would come
to join in. They sang of
a dead man’s lament.
The tone was foreboding.
A crooked politician
took to the airwaves,
a cheap rodeo clown,
barking out nonsense about
the Mexican-American border.
The time is getting late,
while the rooster sings
as the dead man’s soul
gets caught in a sandstorm.
The desert rose blooms
across the unforgiving desert.
Their petals are sharp.
The dead man’s body
toiled for years in a stolen land,
a land stolen more than once.
Turning over in graves and
twisting, all dead men,
some toothless, sing out like
the black crows and rooster,
in God’s country. They
rage against the dimming light,
corridos for the dying.
The dead man’s song
will set nobody free.
That is plain to see.
Death will come for cheap
rodeo clowns too. The dead will sleep
at ease tonight knowing this.
Born in Mexico, Luis Cuauhtemoc Berriozabal lives in California and works in Los Angeles in the mental health field. He is the author of Raw Materials (Pygmy Forest Press), Keepers of Silence (Kendra Steiner Editions), and Make the Water Laugh (Rogue Wolf Press). His poetry has appeared in Blue Collar Review, Pemmican Press, and Unlikely Stories.
Artwork: “Raise the Fields” by Daniel Lurie
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