Cameron McGill
Primogeniture
With the scraping tool in the back
of my mouth she asks, Do you have
any poems you’re working on right now?
She retracts the tool. I tell her I’m thinking about how God
named Eve “mother,” but neither she nor Adam knew what
that word meant. Ah, yes. Eve. The split of the twin flame.
You know, they made whole churches just for Mary.
I hum, sort of. She cleans, scrapes, and scrapes me clean.
The sun is male and water is female. All the rain
and water, that’s women. We’re seeing that coming
back, like it should. Men just have certain jobs.
I gag on the suction tool, and she wipes the spit
from my chin. She tells me my gum health has improved
since last year. I give her a thumbs-up she can’t see.
In my skull, my teeth shine and ache.
Good for biting. Good for eating fruit.
Love/No Love
With the scraping tool in the back
of my mouth she asks, Do you have
Cameron McGill is a poet, educator, and songwriter from Champaign, Illinois. He is the author of In the Night Field (Augury Books/Brooklyn Arts Press) and the chapbook Meridians (Willow Springs Books). His work is forthcoming or has appeared in The Kenyon Review, Hayden’s Ferry Review, The American Poetry Review, Poetry Ireland, and Blackbird. In 2022, he released his seventh studio album, The Widow Cameron. He teaches in the MFA program at Western Colorado University and is Associate Professor at Washington State University, where he co-directs the Visiting Writers Series.
Artwork: “Swimmer” by Daniel Lurie
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