Susan L. Leary

Photograph Theory

I grew up next to a power plant in the Midwest

& whenever a friend came over, I asked my mother

to take her home. Earnestness can be unbearable:

the girl who pulled the plastic horse’s mane straight

from its scalp, then tried her lips at my harmonica.

There should be a blood test for the emotions,

simple instructions folded onto a slip of paper & slid

inside a test tube. Sometimes, the illness is the consolation.

Sometimes, amid nuclear war, not even your mother

can hold the catmint in full bloom.

How often is language the arbitrary injury & not

the lack thereof? At the meal table: What’s been going on

at school, dear? Have you been giving your teachers

any trouble? The only recourse: to collapse into doggedness

as much as self-pity, try my hand at the piano again.

 

But the nervous system is a wreck & those hands worn

clean with Palmolive. Self-talk, hardly useful. Improve

your stamina, girl. Dab the corners of your mouth with a rider’s

handkerchief or risk the embarrassment of eating. My god.

The times I’ve heard life is looking happily into a camera. I say,

 

                                         even when photographed I do not exist.

Susan L. Leary is the author of five poetry collections, including More Flowers (Trio House Press, February 2026); Dressing the Bear (Trio House Press, 2024), selected by Kimberly Blaeser to win the 2023 Louise Bogan Award; and the chapbook, A Buffet Table Fit for Queens (Small Harbor Publishing, 2023), winner of the Washburn Prize. Her poetry has appeared or is forthcoming in such places as Indiana Review, Cream City Review, Diode Poetry Journal, Smartish Pace, Harpur Palate, Sequestrum, and Verse Daily. She holds an MFA from the University of Miami and lives in Indianapolis, IN. Visit her at www.susanlleary.com.

Artwork: “Secondhand” by Daniel Lurie

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